My Top 5 Favorite Picture Books on Giving and Gratitude


Every year, when the holidays roll around, I have people asking me for holiday themed children’s books to share with their kids or classrooms. This year, I’ve decided to make it easy by compiling my Top 5 Favorite Picture Books on Giving and Gratitude just in time for Thanksgiving.

Understanding gratitude, and practicing it regularly, is something I try to be mindful of each day…and I certainly don’t always succeed. Gratitude has to be taught and practiced consistently before it can be an integral part of our daily lives. I also try to instill this idea in my own children, through practice, example, and of course and always, through stories.


“Piglet noticed that even though he had a Very Small Heart, it could hold a rather large amount of Gratitude.” A.A. Milne


#1 The Invisible Boy

A simple act of kindness can transform an invisible boy into a friend… No one ever seems to notice Brian, that is until Justin, the new kid in class, decides to include Brian in his project. Through this unlikely friendship, the once invisible Brian finds a way to shine. The Invisible Boy by Trudy Ludwig teaches readers that sometimes the most generous gift we can share, is one of attention and love.

 

#2 All the World

All the World by Liz Garton Scanlon is one of my favorite books––one that I gift to others time and time again. The sweeping illustrations by Marla Frazee follow a family as they spend a day in town amongst their neighbors while the story reminds us there are a million and one ways to give every ordinary day that we live: The tiniest shell on the beach, the warmth of a meal with others, the beauty found in human connections are all things to give and be grateful for.

 

#3 Splat Says Thank You!

Who doesn’t love a good Splat the Cat book? If you’re a fan of this wacky cat and his mouse friend Seymour, or looking for a light laughable read about giving and gratitude, then grab a copy of Splat Says Thank You! by Rob Scotton. Seymour needs cheering up and Splat has an idea: Splat has been working hard on a very special thank-you book that shows all the warmhearted and hilarious reasons Splat is thankful for Seymour and their friendship.

 

#4 Thanks a Million

If you are a poetry lover, then Thanks a Million by Nikki Grimes is the book on gratitude for you. Featuring a sixteen poems in varying formats from a haiku to a rebus riddle, Thanks a Million reminds readers how far a simple thank-you can go. Illustrations by Cozbi A. Cabrera compliment each poem in a seamless artful expression of giving and gratitude.

 

#5 The Giving Tree

And of course, a blog post on picture books about giving would be incomplete without mention of the Shel Silverstein’s, The Giving Tree. Published in 1964, this children’s classic explores the idea of selfless love, as shared between a boy and his tree. However, perhaps one of the most divisive books in children’s literature, I would be remiss not to mention the dual-nature of the tale, which also poses the question: Can selfless love be exploited? What do you think?


One Most Anticipated Picture Book of 2019 on Giving and Gratitude

What Is Given from the Heart by the late Patricia c. McKissack tells the story of James Otis and his Mama as they find ways to give despite what little they have themselves. When the Temples, neighbors and friends, lose everything in a fire, James’ church collects items the family may need. It takes James some time to figure out how he can contribute to the Temple’s “love box” when he has so little himself. The powerful tale of compassion reminds us that giving from the heart, touches the heart as well. Patricia C. McKissack is a three-time Coretta Scott King Award winner and Newbery Honor author. Some of her other notable picture books include: The Honest-to-Goodness TruthLet’s Clap, Jump, Sing & Shout; Dance, Spin & Turn It Out!, Loved Best (Ready-For-Chapters) and Goin’ Someplace Special.



Do you have your own story to share? If you are ready to write a children’s book, or have a manuscript you would like me to edit, contact me below. I look forward to reading your story!

How to Write a Middle Grade Novel


Are you ready to write a Middle Grade novel? In this article we will explore the genre in order to learn which age group to target, what themes to explore, and what kind of word count you need in order to craft a strong Middle Grade book. You can walk away feeling confident you have the tools to take your ideas to paper and write your Middle Grade masterpiece.

Defining Middle Grade Novels

  • readership : 7–13 years
  • word count : between 30,000–55,000 words
  • characters ages : 9–14 years

The Golden Age of Reading

Often times Middle Grade is called the Golden Age of Reading…why? Because the genre has the largest readership of any other genre, including adults. Kids this age read, and they read a lot.

Remember, you’re spanning a diverse age group here. What may work for an 8-year-old likely won’t work for a 12-year-old. So although we bundle it all into Middle Grade, the genre actually has two sub groups. This is important to understand in order to know your audience when writing, and thus appropriately adjust your themes and word count. Plus, you’ll be able to clarify in your query to agencies when you’re ready. Otherwise, it’s all Middle Grade and it all counts.

Two Sub-Categories

  • Lower Middle Grade

Lower Middle Grade books tend to be read by kids aged 7–10 years old and have a word count on the lower end. There may be a sub plot or two, but the main plot will dominate the focus, and all themes will certainly be G-rated.

  • Upper Middle Grade

Upper Middle Grade books can have a longer word count and will be read by children aged 10–13 years old. There will likely be a subplot or two that help to carry the story in a substantial way and the themes may be a bit more complex, or PG-rated.

Why is Middle Grade so Popular

Middle Grade novels are the new rage…everyone loves them––publishers and agents are on the prowl for the next great Middle Grade book, and if you’ve got a series…even better. Let’s look at why.

Spans a diverse age group

Middle Grade readers are going from an egocentric existence to an altruistic one, so there is a huge leap from free play and imagination to an overwhelmingly rapid sense of self awareness––you are catching these readers right as the change begins. Because of these changes, these readers tend to be thirsty for knowledge and hungry for adventure, and so you have a diverse group of individuals ready to read your book.

A relatively quick read or a longer indulgence

Because of the diverse audience, you have some leeway when it comes to your length and themes (see the two sub categories above). You can target the older readers, those creeping into puberty, or the younger readers, those who are no longer into baby things but not ready to play grown up quite yet. This means you can work your themes into the age group that is most appropriate, and develop your story from there.

Series work well

Series work really well for the Middle Grade genre because the readership is so voracious at this age. Often, once readers are hooked on a character or world, they want more and more. Not only is this great for your audience, but publishers love it too. They are signing more than one book when they choose your Middle Grade series…they get three, four, maybe even more books that they know they can sell, making you as a return author low risk and all the more desirable. Think Percy Jackson or Harry Potter.

The themes are fairly innocent and approachable

That’s right…no one is kissing. Which means there’s less controversy when it comes to relationship themes. These books are easy for parents and schools to pick up and pass out. Your main character will have a bestie and maybe an innocent crush, but nothing more. You’ll be able to focus on the adventure and thrill of the story rather than the complicated rollercoaster of emotional themes you would be tackling in a YA novel. The same goes for exploring violence, big idea issues, and other themes. Let’s look at those in more detail.

Themes and What to Write About

Middle Grade novels span the compass when it comes to subjects and themes, as well as sub-genres. Fantasy, Adventure, Girls’ or Boys’ Books, Mystery, Magic Realism, even some loose Sci-Fi, you’ve got so much to work with!

Humor

Make us laugh! Kids love to laugh (heck, so do adults). But this age group in particular really connects to humor. The Diary of a Wimpy Kid Books are perfect examples, where every single page has readers laughing out loud. Age appropriate humor may be hard for us as adults to grasp, so be sure to run your jokes by your kid audience. Think over-the-top wackiness, slapstick silliness, and obvious irony while you’re developing your laugh sequence.

Romance

You’re not going to find any hot and heavy romance in any Middle Grade novels. Instead, you’ll see buddy relationships rather than romantic ones. If there is a budding romance, it will almost certainly be innocent. No one is going to kiss or go on awkward dates, and if they do, it will not be dwelled upon.

Good vs Evil

Readers of this age group are not too keen on ambiguity. You don’t need to have flat characters, but clear lines can be drawn between doing the right thing and doing what’s wrong. Plot lines that explore good and evil work well, as do good guys vs bad guys. Think of the Series of Unfortunate Events where the Baudelaire children are certainly the good guys, harassed time and again by the evil Count Olaf.

Violence

You may find some violence in some Middle Grade books, but these aren’t The Hunger Games. (Low key) violence may happen, but don’t dwell on it. You’ll be more likely to come across violence in upper Middle Grade, adventure, or fantasy books, and again, it won’t be the driving force of your plot.

Tone

Be ironic, if you must, but never cynical. Middle Grade books are not meant to push big issue ideas like politics, socio-economics, animal rights, the environment and more. All of these issues do play a role in the human experience, and by default arise in Middle Grade novels. And it is absolutely important to explore all of these big idea issues with little readers. But in the genre of Middle Grade, do it organically and do not make it the driving force of the book. Examine complex issues subtly as Scott O’Dell does in Island of the Blue Dolphins or with grace as seen in Wonder.

The Golden Rule

The important thing to remember is that these are industry standards and guidelines. Don’t give up because your fantasy upper Middle Grade novel happens to be 80,000 words or your lower Middle Grade novel stars an 11-year-old. The Golden Rule : Make sure your themes are on point. You may be able to trim word count in editing or even round out a character, but if your themes are not appropriate for the age group you’ll have a major rewrite on your hands…or a book that doesn’t work. Focus on developing a strong plot and well rounded characters––and see where your story takes you!


(Some of) My Favorite Middle Grade Books


Hoot
The Girl Who Drank the Moon
Wonder at the Edge of the World
The Ethan I Was Before
Number the Stars
Serafina and the Black Cloak
Willa of the Wood
Walk Two Moons

 

 

 

 

 

 

 

 

 




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My Top 4 Favorite How-to-Write Books by Female Masters (and why they’re so wonderful)

what genre is my children's book

Whether you are putting the proverbial pen to paper for the first time, or you’re a seasoned author, this list of My Top 4 Favorite How-to-Write Books by Female Masters (and why they’re so wonderful) has a little something for anyone who wants to write a children’s book. Even after writing for nearly twenty years on my own, and writing and editing professionally for nearly ten, I still find myself turning back to these four how-to-write books again and again, always discovering something new among their pages.

I’ve categorized each book by which writers I think may benefit the most from picking up each copy. But, like I mentioned above, there is information in all of these books that will help writers of all experience and practice levels who are learning how to write a children’s book. For the serious children’s book writer out there, I would suggest reading them all.


Wonderful for Newbies:

Writing Down the Bones: Freeing the Writer Within, by Natalie Goldberg

Writing Down the Bones: Freeing the Writer Within is a perfect guide for anyone who is writing for the first time, or for seasoned writers who are a little out of practice and want to jumpstart or improve their own daily writing habits. In Bones, Goldberg is focused on gathering the free-flowing creative nectar that all writers need to tap into before they even begin to craft a book or story of any length.

Goldberg’s book is filled with nearly 200 pages of short, one to five page chapters that give readers something to think about—a scenario, a short story, an idea—and each chapter leads to a writing prompt. This means you can sit down with Goldberg’s book, a cup of coffee, your notebook or computer and twenty minutes, and walk away with something substantial in the books.

I have always appreciated Writing Down the Bones for that reason. When I have just a little bit of time each day to write creatively, Goldberg’s book is perfect because the chapters are so succinct. And on days when I just can’t get going, I still turn to Bones. If I have hours of dull content writing ahead of me, a jaunt through Bones lifts my writing spirit and gets me in the mood to play with language, no matter the task ahead.

I will guarantee that if you do take time for Writing Down the Bones, you’ll be drawn into Goldberg’s stories—as if you’re sitting across the table at a quaint wine shop while she tells you everything you need to know about writing while seemingly not telling you anything at all—and that, as we know, is the making of a good writer.


Wonderful for Children’s Book Newbies:

The Writer’s Guide to Crafting Stories for Children, by Nancy Lamb

Nancy Lamb’s book, The Writer’s Guide to Crafting Stories for Children, is 100% a must-have, invaluable investment for anyone who plans to write a children’s book. And for anyone who takes their writing seriously. Ten years ago it was—and today it still is—my go-to for everything kids-book-craft-related. The book is divided into five main sections that play on the metaphor of building a house, and each section is devoted to a crucial step in writing your first children’s book. For example, Lamb’s third section entitled ‘Structural Supports’ explores topics like character, story, and point of view while the beginning of her book starts with a section entitled ‘Building Plans’ where readers take time to discover what story they plan to tell.

The Writer’s Guide to Crafting Stories for Children has often been compared to taking a 101 course on how to write a children’s book…but from the comfort of your own home and at your own pace (and for a fraction of the cost!). Because Nancy pulls from classics like Where the Wild Things Are or Bridge to Terabithia, even writers new to the craft will be familiar with her examples, making her instruction all the more relevant. With a stable and strong plan, from there you’ll be able to craft your book, from beginning to end, as you read the guide coming at last to the chapter entitled ‘Finishing Touches: The Care and Feeding of Your Creative Spirit’ where you learn how to hold onto all you’ve learned so you can develop overtime as a writer.

I personally find Lamb’s book a crucial addition to my own bookshelf because of her attention to detail during each step of the book writing process; from conception to final proof. Writing a book—short or long—is a dedicated and time consuming endeavor with lots of little ins and outs that no one but the author can see. Lamb helps authors to stay on track and hit all those fine details that, if missed, will leave a manuscript lacking. Her book is like an author’s project plan for seeing their own book through, from start to finish.


Wonderful for Honing Your Craft:

Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story, by Ursula K LeGuin

Ursula K LeGuin–my hero–I have a sneaking suspicion she is actually magic incarnate…but I digress.

The original version of Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story is the book that guided me from a technical understanding of my writing to a deeper relationship with my own creativity and my own abilities as a writer and an editor. Both versions of LeGuin’s guides flow seamlessly while teaching skills that on the surface seem dull, but come to life under her pen and ink spells. Before they know it, readers have learned how to vary their sentences to make them really long to slow a scene down. And then shorten them. Like all things LeGuin, her book is equally detailed and sensory. And succinct.

LeGuin takes topics like ‘Pronoun and Verb’ and turns them into a chapter, and somehow makes these otherwise textbook topics—*gasp*—actually interesting! So interesting, in fact, that you find yourself turning to chapter seven with a newfound, underlying understanding of how to make your verbs skip, hop and jump from the page, and you do so leaving your passive voice shriveling the drafts behind, too timid to show its shameful face until you’ve purposely given him reason to rise again.

LeGuin once said, “A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight.” In Steering the Craft, LeGuin teaches us how to care about our words—how to write them with understanding—only then can we tell our own stories with conviction.


Wonderful for Mastering Visual Writing for Children:

Picture Writing: A New Approach to Writing for Children and Teens, by Anastasia Suen

Picture Writing is a fantastic book for getting a grasp on how to write visually for children. As Anastasia Suen explains, children tend to be visual thinkers, so expressing stories and creating worlds and characters for them through visual text is key in producing strong children’s manuscripts.

Chapters in Picture Writing are divided up by the different components of a story such as plot, character, or setting, and each part is explored from three different angles: Fiction, Non-fiction, or Poetry. This means you’ll be reading the sections that apply to your genre only, whether you’re writing a board book or a young adult fantasy novel.

‘Seeing Fiction’ is one of my favorite chapters on how to write a children’s book. In it she lays out a picture book storyboard template that I still use today with my clients. The storyboard gives authors and editors a feel for where certain elements of a story, like “the big story problem” or “the second try to solve” should fall in a manuscript. Since understanding pacing, page turns, and pauses in picture book writing is so crucial, even as a seasoned editor, I find her template a perfect go-to reminder of how to craft a manuscript. In the same chapter, she also has a comparable layout for chapter books.

Though a little hard to come by, Picture Writing is a reference worth owning if you plan to write a children’s book.

Now that you’re ready to write a children’s book, and you’ve got some leads on finding the right guide to your writing endeavors, I hope you’ll take time to explore them.

And just because I love books so much, here are my Top 4 Recommended Other Books by the same authors we looked at above. Happy Reading and Joyous Writing to You!


Natalie Goldberg

Wild Mind: Living the Writer’s Life

Old Friend from Far Away: The Practice of Writing Memoir

The True Secret of Writing: Connecting Life with Language

Top of My Lungs

Nancy Lamb

One April Morning: Children Remember the Oklahoma City Bombing

The Art And Craft Of Storytelling: A Comprehensive Guide To Classic Writing Techniques

The World’s Greatest Toe Show

The Great Mosquito, Bull, and Coffin Caper

Ursula K. LeGuin

The Wind’s Twelve Quarters: Stories by Le Guin, Ursula K.

Catwings Words Are My Matter: Writings About Life and Books

A Wizard of Earthsea

The Tombs of Atuan

The Farthest Shore

Anastasia Suen

Up! Up! Up! Skyscraper

Wired

Baby Born

The Tooth Fairy


Tell me about your book!

If you are ready to write a children’s book, or have a manuscript you would like me to edit, contact me below. I look forward to reading your story!


 

How to Find a Children’s Book Editor


Understanding how to find a children’s book editor is a key step when producing a strong piece of children’s literature in the hopes of publishing your book. There are tons upon tons of children’s book editors available and the range of editorial services is wide and deep. Because there are so many editors to choose from, knowing what editorial services you need is the first place to start.

If you have written a children’s book, there is no reason to choose an editor who is not a seasoned children’s literature specialist. You want someone who understands the complex genre systems within the umbrella genre of children’s books.

Are you writing a picture book? A chapter book or easy reader? Is your book for middle grade readers or young adults? Or do you even know for sure! What age groups will be reading your book? How many words should your book have to be age appropriate? What themes or topics are typically relevant? These are some of the more generalized questions your editor can answer for you.


Where to Start

Start with a google search and see what comes up. Don’t feel like you have to choose from the children’s book editors that appear on the first page of your search. Dig a little deeper by going to pages two or three and beyond and see if you can find an editor who is specialized or who has edited books similar to your own. An easy way to do this is to open just a few of your favorites in tabs and check out each editors’ website and about me section. Take a look at their portfolio if they have one too.

Another great resource is Reedsy; a platform for finding freelance editors, writers, and all things book related. You can also use the Editorial Freelancers Association to help narrow your search. These websites are fantastic because they vet their members, meaning you will only be viewing the best of the best when it comes to editing.

Once you have narrowed your options down to a few editors, five or less, lets say, set up some initial contact with each of the children’s book editors you’ve found. Start by contacting them and see if they can answer your core questions via email. Find out if they are willing to chat with you by phone or skype about your project when you are ready to make a decision. Ask for them to specifically identify what children’s book editorial services they will be able to provide.


What Editorial Services You Need

Your editor should be able to provide you with all or a combination of some of the following services:

  • Developmental Editing
  • Copy Editing
  • Proofreading
  • Editorial Assessment
  • Query Review

These services should be clearly defined and will include line items such as:

  • Proofreading for grammar, punctuation and syntax.
  • Line editing for dialogue and sensory descriptions, narrative voice, pacing and line by line flow
  • Global editing for through-line, age and/or genre appropriateness, character and/or subject development

Your editor should also be able to globally address the overall craft and literary art of your manuscript and provide advice on the format in which your manuscript should be published.

Many editors can offer ghostwriting services as well.


What to Look For in Your Children’s Book Editor

There are some red flags to look for when choosing a your children’s book editor. Even if the person seems right, you’ll want to pass if your potential editor does any of the following:

  • Asks for a fee to review your manuscript before hire.
  • Is unwilling to chat with you about your project before hire.
  • Has never edited a children’s book before.
  • Does not have a clear grasp of the genre.
  • Is unable to offer the specific editorial services you are looking for.
  • Does not ask you to sign a contract.
  • Guarantees that your book will ‘get published’. This may sound ideal, but it is an empty promise. Good editors are specialized and no one–I repeat no one–can guarantee your book will be published besides the publisher herself.

Here are some tips on what you should look for in your children’s book editor:

  • Takes time to talk with you about your project before hire.
  • Clearly explains to you how the editing process works.
  • Has edited children’s books before; preferably has edited a children’s book in your genre before.
  • Provides the specific editorial services you need.
  • See if they can offer you advice in other areas such as seeking out an agent or self-publishing your book.

After you have narrowed your search down, set up a time to chat over the phone with your last couple contenders. This will give you a feel for their personality, writing style, and just allow you to get a better idea of who you will be working with. Go with your gut here. Since you have already learned how to find a children’s book editor and narrowed down your choices based on experience, at this point you are choosing who seems to have the best grasp of your (and your book’s) personal needs. At this point, feel confident in making your decision, choosing your editor, and moving onto the next step of realizing your dreams of finishing your children’s book.



If you are interested in chatting with me about your project, please feel free to contact me below. And Happy Writing to You!