My Top 5 Favorite Picture Books on Giving and Gratitude


Every year, when the holidays roll around, I have people asking me for holiday themed children’s books to share with their kids or classrooms. This year, I’ve decided to make it easy by compiling my Top 5 Favorite Picture Books on Giving and Gratitude just in time for Thanksgiving.

Understanding gratitude, and practicing it regularly, is something I try to be mindful of each day…and I certainly don’t always succeed. Gratitude has to be taught and practiced consistently before it can be an integral part of our daily lives. I also try to instill this idea in my own children, through practice, example, and of course and always, through stories.


“Piglet noticed that even though he had a Very Small Heart, it could hold a rather large amount of Gratitude.” A.A. Milne


#1 The Invisible Boy

A simple act of kindness can transform an invisible boy into a friend… No one ever seems to notice Brian, that is until Justin, the new kid in class, decides to include Brian in his project. Through this unlikely friendship, the once invisible Brian finds a way to shine. The Invisible Boy by Trudy Ludwig teaches readers that sometimes the most generous gift we can share, is one of attention and love.

 

#2 All the World

All the World by Liz Garton Scanlon is one of my favorite books––one that I gift to others time and time again. The sweeping illustrations by Marla Frazee follow a family as they spend a day in town amongst their neighbors while the story reminds us there are a million and one ways to give every ordinary day that we live: The tiniest shell on the beach, the warmth of a meal with others, the beauty found in human connections are all things to give and be grateful for.

 

#3 Splat Says Thank You!

Who doesn’t love a good Splat the Cat book? If you’re a fan of this wacky cat and his mouse friend Seymour, or looking for a light laughable read about giving and gratitude, then grab a copy of Splat Says Thank You! by Rob Scotton. Seymour needs cheering up and Splat has an idea: Splat has been working hard on a very special thank-you book that shows all the warmhearted and hilarious reasons Splat is thankful for Seymour and their friendship.

 

#4 Thanks a Million

If you are a poetry lover, then Thanks a Million by Nikki Grimes is the book on gratitude for you. Featuring a sixteen poems in varying formats from a haiku to a rebus riddle, Thanks a Million reminds readers how far a simple thank-you can go. Illustrations by Cozbi A. Cabrera compliment each poem in a seamless artful expression of giving and gratitude.

 

#5 The Giving Tree

And of course, a blog post on picture books about giving would be incomplete without mention of the Shel Silverstein’s, The Giving Tree. Published in 1964, this children’s classic explores the idea of selfless love, as shared between a boy and his tree. However, perhaps one of the most divisive books in children’s literature, I would be remiss not to mention the dual-nature of the tale, which also poses the question: Can selfless love be exploited? What do you think?


One Most Anticipated Picture Book of 2019 on Giving and Gratitude

What Is Given from the Heart by the late Patricia c. McKissack tells the story of James Otis and his Mama as they find ways to give despite what little they have themselves. When the Temples, neighbors and friends, lose everything in a fire, James’ church collects items the family may need. It takes James some time to figure out how he can contribute to the Temple’s “love box” when he has so little himself. The powerful tale of compassion reminds us that giving from the heart, touches the heart as well. Patricia C. McKissack is a three-time Coretta Scott King Award winner and Newbery Honor author. Some of her other notable picture books include: The Honest-to-Goodness TruthLet’s Clap, Jump, Sing & Shout; Dance, Spin & Turn It Out!, Loved Best (Ready-For-Chapters) and Goin’ Someplace Special.



Do you have your own story to share? If you are ready to write a children’s book, or have a manuscript you would like me to edit, contact me below. I look forward to reading your story!

What Genre is my Children’s Book?


Have you ever asked the question: What genre is my children’s book?


More than once I have had a client send me a fantastic story tucked into the wrong format…and when I ask them about it, inevitably they ask me, “So, what genre is my children’s book exactly?” It’s easy to see how this happens when we are talking about children’s books. Surprisingly they are one of the more complicated formats––with so many sub-categories and target age groups and guidelines––even seasoned writers get a little confused as to which category their story fits. Even I get confused at times with all the (ever-fluctuating) industry standards. Although the formats can feel confusing, they are manageable, and in this article we are going to look at all of the main children’s book categories in order to grasp some standards and write our own children’s books in the most effective ways possible

Additionally it’s easy to confuse the formats with genre so let’s settle that first since many times people use the words interchangeably when talking about children’s books. If you are asking about the genre of your children’s book then you are wondering if your book is fiction, non-fiction, fantasy, etc. However, when I get the question: What genre is my children’s book? more often than not people are asking in which category does their book belong––which age group will be reading it––and that is what we are going to look at here.

This is a great resource for anyone new to writing children’s books, for authors who plan to self-publish, and for educators. It’s important to remember that these are guidelines, and sometimes it’s okay to break the rules. However…

The Golden Rule

There is one kids book golden rule that is rarely broken, and it goes a little something like this:

Children want to read stories about other children who are a little bit older than themselves.

This means if your protagonist is ten-years-old your readership is likely seven- to nine-year-olds.

One of the best examples I can recall that breaks this rule and does it spectacularly is found in Philip Pullman’s His Dark Materials trilogy where the protagonist, Lyra, is eleven-years-old. The fantasy trilogy, however, was marketed as a young adult book series. (But fantasy is good at breaking the rules, right?)

So, keeping the golden rule in mind, let’s look at the individual formats.



Children’s Book Categories

What genre is my children's book?

Board Books

Target Ages: 0–5 years
Target Word Count: less than 300

Board books are those tough little things you give to the smallest of readers. Often ten or less pages, they are made from thick cardstock or cardboard, and target children 0–4 years old. These books are heavy duty, light on text and have a lot of illustration. In fact, many times a board book will contain no more than 10–20 words total. Board books are meant to be read to children who are early emerging readers, meaning they are listening to the story, but board books are also meant to be chewed on, slept with, and treated as a toy.

Board books will often cover early learning concepts such as opposites, counting, letters, feelings, or simple family dynamics. They may or may not span time, and if they do, it will be no longer than a short period, definitely less than a day. Sometimes board books will not tell a story, but rather follow a theme. For example, the pages may simply list a color and have an accompanying illustration.

Best Examples:

Picture Books

Target Ages: 2–7
Target Word Count: 400–900

Most often when people think of children’s books, they are referring to picture books. At standard, picture books are 32 pages long, including the cover pages, introductions, back flaps, and copyright information. Though the standard is 32 pages, they can technically come in page lengths that are any multiples of 8: 16, 24, 32, 40 or 48 pages. They are reliant on both text and illustration and text length can range from 100–1000 words, sometimes more. However, the best picture books are short on text and rely equally or heavily on illustration. Sometimes picture books can cross over into board books and be published in both formats. Picture books are for children aged 2–10 years (at the high end), with an average target age of 2–7 years old.

Picture books talk about universal themes and offer intriguing or kid-relatable situations while challenging the reader’s or listener’s imagination. Themes are approachable and there is usually one main character, one plot, and one story line. Picture books use rhythm and cadence to engage the young listener and they employ repetition. In the book Writing Picture Books, Anne Winford Paul explains that picture books should offer a simple question and answer. This idea holds true for most picture books out there and it’s a great rule of thumb to follow. One theme, one throughline, one main character or idea, with an answer at the end.

Best Examples:

Early Readers

Target Ages: 5–8 years
Target Word Count: 1000–2500

Early readers are books with slightly more text than found in your average picture book. They have 32 to 64 pages, with simple, repetitive text. Usually every page or every other page has an illustration. These books are targeted towards new and emerging readers and often repeat a particular sight word or phrase for these early readers to memorize. They have a simple sentence structure, can be read aloud or silently, and often come in series form.

Topics and themes are lighthearted and books usually explore one idea, subject or theme. Many times books are character based, as seen in the examples below. The word count doesn’t rise above 3500 words on the high end. Sometimes easy readers will have a couple of chapters or sections making it easy for a child to set the book aside for a break if they need to take one. You can find a wide variety of well done non-fiction books in this category as well, such as the National Geographic Little Kids First Big Books series.

Best Examples:

Chapter Books

Target Ages: 7–10 years
Target Word Count: 4000–12000

Some of my favorite children’s books are found in the chapter book format. I like this category because for the first time we start to see subplots and more complex story lines. Before middle grade came along as a category, chapter books were the only bridge to close the gap between picture books and young adult. Many of our classic favorites as adults today are found in this format: Charlotte’s WebThe Best Christmas Pageant Ever, and basically anything by Roald Dahl. This format is also home to some of those timeless classic series like the Magic Tree House books.

Chapter books will have few to no illustrations and are typically not much longer than 100 pages. They are for young advancing readers, typically for elementary school aged children. These books can range in difficulty with some offering simple language as one might find in Catwings or Flat Stanley, to more complex sentence structures and plot lines as found in the examples below. Many chapter books are single character or subject based and they may contain a simple subplot or two.

Chapter books span a wide audience and reading levels vary. For this reason, there really is no average word count within the range. Following the simple idea that should your book be for a younger reader, you will have fewer words, is a good loose guideline to follow. For this category definitely take time to read some comp books before writing your manuscript so you get a feel for the language and length.

Best Examples:

Middle Grade

Target Ages: 8–12 years
Target Word Count: 30,000–50,000

Middle Grade novels can be divided into two subcategories: books for middle grade school children and books for upper elementary school children. They contain longer chapters than found in chapter books, often no illustrations, and can have over 100 pages. Sometimes they can mingle with either chapter books or young adult, but they absolutely deserve a format of their own. The readership is voracious at this age, so series are popular.

It’s hard to say exactly when middle grade novels became ‘a thing’ but it is worth noting it was about the same time as the Harry Potter series emerged; with Harry Potter, for the first time ever, we saw readers growing up with their main character. I’m not attributing the emergence of the middle grade category to the publication of the Harry Potter books, but I do think at that time publishers realized there was a need for a whole new set of books that would reach this since underdeveloped and under-explored market.

Let’s look at the two subcategories in more detail.

Lower Middle Grade

Target Ages: 7–10 years
Target Word Count: 20,000–35,000

Lower Middle Grade is a really fun format to read and explore. The themes will be complex but approachable: no kissing, no gory violence, subtle politics, if any. The stories will have a subplot or two. Oftentimes lower middle grade employees elements like humor or explores factual, science-based ideas or historical events. They are also great candidates for fantasy or magic realism since the readership is in that magical place between childhood and ability to “believe” before teetering into the pre-teen years.

The lower middle grade format is typically under 35,000 words with more like 25,000 as an average.

Best Examples:

  

Upper Middle Grade, or Tween

Target Ages: 10–13 years
Target Word Count: 45,000–55,000

Upper Middle Grade might be my favorite children’s book format of all. I love that the readership is able to follow complex plots and storylines plus explore more mature themes without getting into quite as much teen angst as we find in young adult. Relationships may hint at romance, but it is still innocent…probably still no kissing. Violence may be present but it does not dominate the story.

The books are a bit longer, up to about 70,000 words max with an average around 50,000. Sometimes this sub-catgory is referred to as ‘tween’ especially when the themes of the book explicitly explore pre-teen related issues.

Best Examples:

 

Young Adult

Target Ages: 13–adult
Target Word Count: 40,000–70,000

Young Adult books are read by teens ages 13 to as many years as 25 and adults. In fact, the books can cross over into adult literature, especially if they are fantasy or sci-fi based. They have complex stories, plots, and characters and read like an adult novel, but explore issues and topics that teens can relate to. Themes can employee really complex or even difficult subjects such as sex, violence, drugs, abuse, suicide…the list goes on. Not all young adult books will focus on these ideas, but often at least one of them is present since these are real-world issues that teens come face-to-face with on a daily basis.

Word count can go as high as 90,000 but keeping it around 70,000 is a safe bet. Some coming of age classics emerge from this category as well as really fantastic examples of fantasy series.

Best Examples:

 



 

Still confused?

It’s important to remember that these are just guidelines. If you plan to stray, have good reason. If you’re still asking the question, what genre is my children’s book? and want a little more guidance, contact me below. I’m happy to help! Sometimes authors have a great idea, a great start…heck, they might even be great writers already, but they just can’t seem to make it work. That’s what an editor is for; let’s talk.


 

My Top 5 Most Anticipated Middle Grade Books of 2018


I don’t know about you, but I’m super excited to read a bunch of new books in 2018. This year I’ve signed up to do a goodreads reading challenge of 100 books. Now, that might not sound like a lot for a book enthusiast like me, but I love books so much I’ve literally made it my job and I spend all day reading books that I hope (with my help) will make it to bookshelves nationwide for all to enjoy. But, in the meantime, there are a bunch of exciting new novels coming out this year, and I have big (reading) dreams for 2018.

This year I’m selecting my Top 5 Most Anticipated Books of 2018 for all of the best kid’s book genres: Picture Books, Chapter Books, Middle Grade, YA, and Poetry. And I’m starting with my most favorite genre of all: Middle Grade. (PS – I’m taking clients for 2018 and I just LOVE editing middle grade, so…well, let’s chat if you’ve got one in the works.)

Let’s get started.

#5 The Button War


I mean, come on, it’s Avi. Who doesn’t love Avi? I would argue that Avi is one of the most talented and prolific children’s authors of our time, having published over 70 books from picture books to young adult. With such a huge body of work, there is something for even the most reluctant of readers and if you haven’t read anything by Avi yet, two of my favorites are Poppy and The True Confessions of Charlotte Doyle. I’m particularly excited, however, to try out his upcoming book The Button War: A Tale of the Great War.

The story follows twelve-year-old Patryk, who knows little beyond his tiny Polish village, as the Great War unfurls around him. While the world Patryk knew is coming to an end, his friend Jurek challenges the villages kids in a game: whichever boy steals the finest military button will be king. But as the challenge progresses, so does the means by which the children steal the buttons, including from the bodies of dead soldiers. Eventually the lines between the button war and the Great War cross, especially for Jurek, Patryk, and the boys who must prove themselves while their game spirals rapidly out of control. Avi is a master of historical fiction and delivers edge-of-your-seat, history-based books for children time and again. I think it’s safe to assume The Button War will do no less.

#4 Shadow Weaver

I have been itching for a new book with magic in a big way, and Shadow Weaver by MarcyKate Connolly fits the bill. I LOVE a good story that explores mythologies in new ways, this one featuring the shadow mythology really gets me excited. Probably my favorite depiction of the shadow is found in Ursula K LeGuin’s first book in her Earthsea series, A Wizard of Earthsea, where Ged faces the shadow, and then of course I cannot mention the shadow without mentioning Star Wars. I could go on and on…but I just can’t wait to see how this mythology unfolds in this new book.

Our heroine, Emmeline, is gifted with the ability to control shadows, and her only friend is her own shadow, named Dar. But, when Emmeline’s gift is threatened, she makes a deal with Dar: if Dar helps to protect Emmeline, Emmeline will help Dar become flesh. But as their plan is thwarted, more obstacles arise, and Emmeline begins to lose trust in her closest friend…but it’s hard to keep secrets from your shadow.

#3 Hurricane Child

Ever partial to a little bit of regional lore and female heroines, I felt obliged to add Hurricane Child by Kheryn Calender to the list. Living in Florida, and previously along the North Carolina coast, I have endured more than a few hurricanes, so a story about twelve-year-old Caroline––born during a storm and called a Hurricane Child––who rises above her own bad luck in big ways through friendship and love, inspires me.

Life has been hard for Caroline from the moment she was born, and worst of all, her mother is never coming home. Filled with grief, Caroline is determined to find her mom, but when a new student arrives, Kalinda, things begin to change for Caroline. As the two girls search for Caroline’s mother together, they discover they share the same gift, and they heal together through friendship. With a touch of magic realism, Hurricane Child is not to be missed.

#2 Where the Watermelons Grow

Okay, let me be honest. With this book I am ALL IN because : LOCATION, LOCATION, LOCATION. As all’a’y’all know, I’ve got a sweet spot for NC and any book that takes place in my home state of North Carolina really gets me excited. Where the Watermelons Grow by Cindy Baldwin highlights all the regional things I know so well: butter beans (they are like little limas), the bees (NC has the BEST honey), and of course the watermelons.

When Della’s mom becomes sick, Della knows just what to do––she’ll get a jar of magic honey from the Bee Lady, and then Mama will stop hearing the people who aren’t really there once and for all. But with Daddy struggling on the farm, and Della picking up the slack at home, she struggles to hear the truth about her jar of magic honey. It takes a whole summer, but eventually Della is able to listen to what the Bee Lady is trying to say, and Della thinks maybe the key to helping Mama lies in her own acceptance, rather than a jar of watermelon honey.

#1 Willa of the Wood

Yeah, yeah. I know. I’m partial. Not only does this beauty take place in the breathtaking Great Smokey Mountains of North Carolina, not only is this book authored by the same talent––Robert Beatty––who penned the Serafina Series, but I also served as an editor on the project (twice!), and so I hold it near and dear to my heart. Years ago I read the first three chapters of Willa, long before any of the Serafina books were signed, and boy oh boy did I hope beyond hope Willa’s story would come alive. Well, I’ve read a copy of Willa of the Wood (though not the copy) and I can not WAIT until summer 2018 when you can pick up this gem too.

Willa is a a nightspirit of the mountains…and a thief. She spends her nights rummaging through the objects of the day-folk and her days escaping the harsh life of her clan. But, when her curiosity leads her to a dangerously close encounter with her enemy, she’s surprised to discover that perhaps her biggest threats lay a little closer to home. Soon enough, everything she understood about her people––and their biggest enemy––is changed forever.


Tell me about your book!

If you are ready to write a children’s book, or have a manuscript you would like me to edit, contact me below. I look forward to reading your story!

How to Write a Middle Grade Novel


Are you ready to write a Middle Grade novel? In this article we will explore the genre in order to learn which age group to target, what themes to explore, and what kind of word count you need in order to craft a strong Middle Grade book. You can walk away feeling confident you have the tools to take your ideas to paper and write your Middle Grade masterpiece.

Defining Middle Grade Novels

  • readership : 7–13 years
  • word count : between 30,000–55,000 words
  • characters ages : 9–14 years

The Golden Age of Reading

Often times Middle Grade is called the Golden Age of Reading…why? Because the genre has the largest readership of any other genre, including adults. Kids this age read, and they read a lot.

Remember, you’re spanning a diverse age group here. What may work for an 8-year-old likely won’t work for a 12-year-old. So although we bundle it all into Middle Grade, the genre actually has two sub groups. This is important to understand in order to know your audience when writing, and thus appropriately adjust your themes and word count. Plus, you’ll be able to clarify in your query to agencies when you’re ready. Otherwise, it’s all Middle Grade and it all counts.

Two Sub-Categories

  • Lower Middle Grade

Lower Middle Grade books tend to be read by kids aged 7–10 years old and have a word count on the lower end. There may be a sub plot or two, but the main plot will dominate the focus, and all themes will certainly be G-rated.

  • Upper Middle Grade

Upper Middle Grade books can have a longer word count and will be read by children aged 10–13 years old. There will likely be a subplot or two that help to carry the story in a substantial way and the themes may be a bit more complex, or PG-rated.

Why is Middle Grade so Popular

Middle Grade novels are the new rage…everyone loves them––publishers and agents are on the prowl for the next great Middle Grade book, and if you’ve got a series…even better. Let’s look at why.

Spans a diverse age group

Middle Grade readers are going from an egocentric existence to an altruistic one, so there is a huge leap from free play and imagination to an overwhelmingly rapid sense of self awareness––you are catching these readers right as the change begins. Because of these changes, these readers tend to be thirsty for knowledge and hungry for adventure, and so you have a diverse group of individuals ready to read your book.

A relatively quick read or a longer indulgence

Because of the diverse audience, you have some leeway when it comes to your length and themes (see the two sub categories above). You can target the older readers, those creeping into puberty, or the younger readers, those who are no longer into baby things but not ready to play grown up quite yet. This means you can work your themes into the age group that is most appropriate, and develop your story from there.

Series work well

Series work really well for the Middle Grade genre because the readership is so voracious at this age. Often, once readers are hooked on a character or world, they want more and more. Not only is this great for your audience, but publishers love it too. They are signing more than one book when they choose your Middle Grade series…they get three, four, maybe even more books that they know they can sell, making you as a return author low risk and all the more desirable. Think Percy Jackson or Harry Potter.

The themes are fairly innocent and approachable

That’s right…no one is kissing. Which means there’s less controversy when it comes to relationship themes. These books are easy for parents and schools to pick up and pass out. Your main character will have a bestie and maybe an innocent crush, but nothing more. You’ll be able to focus on the adventure and thrill of the story rather than the complicated rollercoaster of emotional themes you would be tackling in a YA novel. The same goes for exploring violence, big idea issues, and other themes. Let’s look at those in more detail.

Themes and What to Write About

Middle Grade novels span the compass when it comes to subjects and themes, as well as sub-genres. Fantasy, Adventure, Girls’ or Boys’ Books, Mystery, Magic Realism, even some loose Sci-Fi, you’ve got so much to work with!

Humor

Make us laugh! Kids love to laugh (heck, so do adults). But this age group in particular really connects to humor. The Diary of a Wimpy Kid Books are perfect examples, where every single page has readers laughing out loud. Age appropriate humor may be hard for us as adults to grasp, so be sure to run your jokes by your kid audience. Think over-the-top wackiness, slapstick silliness, and obvious irony while you’re developing your laugh sequence.

Romance

You’re not going to find any hot and heavy romance in any Middle Grade novels. Instead, you’ll see buddy relationships rather than romantic ones. If there is a budding romance, it will almost certainly be innocent. No one is going to kiss or go on awkward dates, and if they do, it will not be dwelled upon.

Good vs Evil

Readers of this age group are not too keen on ambiguity. You don’t need to have flat characters, but clear lines can be drawn between doing the right thing and doing what’s wrong. Plot lines that explore good and evil work well, as do good guys vs bad guys. Think of the Series of Unfortunate Events where the Baudelaire children are certainly the good guys, harassed time and again by the evil Count Olaf.

Violence

You may find some violence in some Middle Grade books, but these aren’t The Hunger Games. (Low key) violence may happen, but don’t dwell on it. You’ll be more likely to come across violence in upper Middle Grade, adventure, or fantasy books, and again, it won’t be the driving force of your plot.

Tone

Be ironic, if you must, but never cynical. Middle Grade books are not meant to push big issue ideas like politics, socio-economics, animal rights, the environment and more. All of these issues do play a role in the human experience, and by default arise in Middle Grade novels. And it is absolutely important to explore all of these big idea issues with little readers. But in the genre of Middle Grade, do it organically and do not make it the driving force of the book. Examine complex issues subtly as Scott O’Dell does in Island of the Blue Dolphins or with grace as seen in Wonder.

The Golden Rule

The important thing to remember is that these are industry standards and guidelines. Don’t give up because your fantasy upper Middle Grade novel happens to be 80,000 words or your lower Middle Grade novel stars an 11-year-old. The Golden Rule : Make sure your themes are on point. You may be able to trim word count in editing or even round out a character, but if your themes are not appropriate for the age group you’ll have a major rewrite on your hands…or a book that doesn’t work. Focus on developing a strong plot and well rounded characters––and see where your story takes you!


(Some of) My Favorite Middle Grade Books


Hoot
The Girl Who Drank the Moon
Wonder at the Edge of the World
The Ethan I Was Before
Number the Stars
Serafina and the Black Cloak
Willa of the Wood
Walk Two Moons

 

 

 

 

 

 

 

 

 




Need Help with your Book?


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Favorite Books and Recommended Reads

I do a lot of reading and the list keeps getting longer and longer, but there are some books that have really stayed with me over the years, and you can find them here.

I continue to update this list from time to time, so be sure to check back.

On Writing

Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story

Writing Down the Bones: Freeing the Writer Within

Young Adult

The Book of Dust: La Belle Sauvage (Book of Dust, Volume 1)

His Dark Materials (Books 1–3)

Brown Girl Dreaming

Middle Grade

Serafina and the Black Cloak (Book 1)

Serafina and the Twisted Staff (Book 2)

Serafina and the Splintered Heart (Book 3)

The Girl Who Drank the Moon

Willa of the Wood

A Snicker of Magic

Ban This Book

Ruby Holler

The Spirit of Cattail County

Hurricane Child

Shadow Weaver

Chapter Books

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

Inside Out and Back Again

The Little Prince

Fortunately, the Milk

Everything on a Waffle

Picture Books

The Fantastic Flying Books of Mr. Morris Lessmore

All the World Happy Birthday to You!

Non-Traditional Picture Books

Tibet Through the Red Box

The Stinky Cheese Man and Other Fairly Stupid Tales

Board Books

Big Red Barn

Belly Button Book

Sheep in a Jeep

But Not the Hippopotamus

Non-Fiction

Transformations of Myth Through Time

Words Are My Matter: Writings About Life and Books

An Open Life by Joseph Campbell

Novels and Stories

Jitterbug Perfume

The Sun Also Rises

Summer Crossing

Dandelion Wine

Fantasy and Sci-Fi

Station Eleven

All Our Wrong Todays: A Novel

Have Spacesuit Will Travel

Collections 

Fearless Girls, Wise Women & Beloved Sisters: Heroines in Folktales from Around the World

My Top 4 Favorite How-to-Write Books by Female Masters (and why they’re so wonderful)

what genre is my children's book

Whether you are putting the proverbial pen to paper for the first time, or you’re a seasoned author, this list of My Top 4 Favorite How-to-Write Books by Female Masters (and why they’re so wonderful) has a little something for anyone who wants to write a children’s book. Even after writing for nearly twenty years on my own, and writing and editing professionally for nearly ten, I still find myself turning back to these four how-to-write books again and again, always discovering something new among their pages.

I’ve categorized each book by which writers I think may benefit the most from picking up each copy. But, like I mentioned above, there is information in all of these books that will help writers of all experience and practice levels who are learning how to write a children’s book. For the serious children’s book writer out there, I would suggest reading them all.


Wonderful for Newbies:

Writing Down the Bones: Freeing the Writer Within, by Natalie Goldberg

Writing Down the Bones: Freeing the Writer Within is a perfect guide for anyone who is writing for the first time, or for seasoned writers who are a little out of practice and want to jumpstart or improve their own daily writing habits. In Bones, Goldberg is focused on gathering the free-flowing creative nectar that all writers need to tap into before they even begin to craft a book or story of any length.

Goldberg’s book is filled with nearly 200 pages of short, one to five page chapters that give readers something to think about—a scenario, a short story, an idea—and each chapter leads to a writing prompt. This means you can sit down with Goldberg’s book, a cup of coffee, your notebook or computer and twenty minutes, and walk away with something substantial in the books.

I have always appreciated Writing Down the Bones for that reason. When I have just a little bit of time each day to write creatively, Goldberg’s book is perfect because the chapters are so succinct. And on days when I just can’t get going, I still turn to Bones. If I have hours of dull content writing ahead of me, a jaunt through Bones lifts my writing spirit and gets me in the mood to play with language, no matter the task ahead.

I will guarantee that if you do take time for Writing Down the Bones, you’ll be drawn into Goldberg’s stories—as if you’re sitting across the table at a quaint wine shop while she tells you everything you need to know about writing while seemingly not telling you anything at all—and that, as we know, is the making of a good writer.


Wonderful for Children’s Book Newbies:

The Writer’s Guide to Crafting Stories for Children, by Nancy Lamb

Nancy Lamb’s book, The Writer’s Guide to Crafting Stories for Children, is 100% a must-have, invaluable investment for anyone who plans to write a children’s book. And for anyone who takes their writing seriously. Ten years ago it was—and today it still is—my go-to for everything kids-book-craft-related. The book is divided into five main sections that play on the metaphor of building a house, and each section is devoted to a crucial step in writing your first children’s book. For example, Lamb’s third section entitled ‘Structural Supports’ explores topics like character, story, and point of view while the beginning of her book starts with a section entitled ‘Building Plans’ where readers take time to discover what story they plan to tell.

The Writer’s Guide to Crafting Stories for Children has often been compared to taking a 101 course on how to write a children’s book…but from the comfort of your own home and at your own pace (and for a fraction of the cost!). Because Nancy pulls from classics like Where the Wild Things Are or Bridge to Terabithia, even writers new to the craft will be familiar with her examples, making her instruction all the more relevant. With a stable and strong plan, from there you’ll be able to craft your book, from beginning to end, as you read the guide coming at last to the chapter entitled ‘Finishing Touches: The Care and Feeding of Your Creative Spirit’ where you learn how to hold onto all you’ve learned so you can develop overtime as a writer.

I personally find Lamb’s book a crucial addition to my own bookshelf because of her attention to detail during each step of the book writing process; from conception to final proof. Writing a book—short or long—is a dedicated and time consuming endeavor with lots of little ins and outs that no one but the author can see. Lamb helps authors to stay on track and hit all those fine details that, if missed, will leave a manuscript lacking. Her book is like an author’s project plan for seeing their own book through, from start to finish.


Wonderful for Honing Your Craft:

Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story, by Ursula K LeGuin

Ursula K LeGuin–my hero–I have a sneaking suspicion she is actually magic incarnate…but I digress.

The original version of Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story is the book that guided me from a technical understanding of my writing to a deeper relationship with my own creativity and my own abilities as a writer and an editor. Both versions of LeGuin’s guides flow seamlessly while teaching skills that on the surface seem dull, but come to life under her pen and ink spells. Before they know it, readers have learned how to vary their sentences to make them really long to slow a scene down. And then shorten them. Like all things LeGuin, her book is equally detailed and sensory. And succinct.

LeGuin takes topics like ‘Pronoun and Verb’ and turns them into a chapter, and somehow makes these otherwise textbook topics—*gasp*—actually interesting! So interesting, in fact, that you find yourself turning to chapter seven with a newfound, underlying understanding of how to make your verbs skip, hop and jump from the page, and you do so leaving your passive voice shriveling the drafts behind, too timid to show its shameful face until you’ve purposely given him reason to rise again.

LeGuin once said, “A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight.” In Steering the Craft, LeGuin teaches us how to care about our words—how to write them with understanding—only then can we tell our own stories with conviction.


Wonderful for Mastering Visual Writing for Children:

Picture Writing: A New Approach to Writing for Children and Teens, by Anastasia Suen

Picture Writing is a fantastic book for getting a grasp on how to write visually for children. As Anastasia Suen explains, children tend to be visual thinkers, so expressing stories and creating worlds and characters for them through visual text is key in producing strong children’s manuscripts.

Chapters in Picture Writing are divided up by the different components of a story such as plot, character, or setting, and each part is explored from three different angles: Fiction, Non-fiction, or Poetry. This means you’ll be reading the sections that apply to your genre only, whether you’re writing a board book or a young adult fantasy novel.

‘Seeing Fiction’ is one of my favorite chapters on how to write a children’s book. In it she lays out a picture book storyboard template that I still use today with my clients. The storyboard gives authors and editors a feel for where certain elements of a story, like “the big story problem” or “the second try to solve” should fall in a manuscript. Since understanding pacing, page turns, and pauses in picture book writing is so crucial, even as a seasoned editor, I find her template a perfect go-to reminder of how to craft a manuscript. In the same chapter, she also has a comparable layout for chapter books.

Though a little hard to come by, Picture Writing is a reference worth owning if you plan to write a children’s book.

Now that you’re ready to write a children’s book, and you’ve got some leads on finding the right guide to your writing endeavors, I hope you’ll take time to explore them.

And just because I love books so much, here are my Top 4 Recommended Other Books by the same authors we looked at above. Happy Reading and Joyous Writing to You!


Natalie Goldberg

Wild Mind: Living the Writer’s Life

Old Friend from Far Away: The Practice of Writing Memoir

The True Secret of Writing: Connecting Life with Language

Top of My Lungs

Nancy Lamb

One April Morning: Children Remember the Oklahoma City Bombing

The Art And Craft Of Storytelling: A Comprehensive Guide To Classic Writing Techniques

The World’s Greatest Toe Show

The Great Mosquito, Bull, and Coffin Caper

Ursula K. LeGuin

The Wind’s Twelve Quarters: Stories by Le Guin, Ursula K.

Catwings Words Are My Matter: Writings About Life and Books

A Wizard of Earthsea

The Tombs of Atuan

The Farthest Shore

Anastasia Suen

Up! Up! Up! Skyscraper

Wired

Baby Born

The Tooth Fairy


Tell me about your book!

If you are ready to write a children’s book, or have a manuscript you would like me to edit, contact me below. I look forward to reading your story!